Blade: The Early Years Omnibus
(Photo: Dave Wilkins, Marvel Comics)Written by Marvel Wolfman, Chris Claremont, et al.
Art by Gene Colan, Tony DeZuniga, Rico Rival, et al.
Published by Marvel Comics
In another world, Marvel Studios’ long-awaited Blade reboot is making its debut in theaters this month. Unfortunately, we’re not in that world (and the film hasn’t even properly started production), but a new omnibus is here to fill some of the void. This reprint collects everything from the character’s early Tomb of Dracula appearances to his forays into titles like Doctor Strange and Vampire Tales. This will definitely be a must-buy for anyone who is a fan of the Daywalker. — Jenna Anderson
The Deviant #1
(Photo: Josh Hixson, Image Comics)Written by James Tynion IV
Art by Joshua Hixson
Colors by Joshua Hixson
Letters by Hassan Otsmane-Elhaou
Published by Image Comics
Halloween may have passed but the modern master of comic book horror himself, James Tynion IV has developed a terrifying new miniseries to coincide with the upcoming Christmas season. The Deviant #1—written by Tynion, illustrated by Joshua Hixson, and lettered by Hassan Otsmane-Elhaou—introduces readers to an eerie crime story set across 50 years of American history. It begins with murders committed by a man wearing a Santa Claus suit in 1972 before questions asked 50 years later threaten to expose the true nature of those past atrocities. The concept contains plenty of chilling signifiers as a murderer may walk free and holiday adornments suggest something supernatural, but it’s the execution in The Deviant #1 that makes it one of the best horror debuts of 2023. Hixson has a long track record of horror and horror-adjacent comics, each one moodier and more menacing than the last. The dark shadows and uncertain perspectives that made Shanghai Red so effective have been amplified for an outstanding effect in this debut. Rather than layer on the carnage, what’s suggested in the pages of The Deviant #1 is far more frightening and establishes a tantalizing mystery for readers to begin just as snow begins to fall this holiday season. — Chase Magnett
Dutch #0
(Photo: Nathan Fox, Image Comics)Written by Joe Casey
Art by Nathan Fox
Colors by Francesco Segala with Roberto Megna
Letters by Rus Wooton
Published by Image Comics
Readers who passed on the anniversary anthology Image!—celebrating works from across Image Comics’ 30 years in business—missed a lot of great comics, both from the publisher’s modern era and their superhero origins in the 1990s. Dutch #0 collects some of those revived gems from issues #5-7 as it presents a new take on a classic(?) Youngblood character. Writer Joe Casey and artist Nathan Fox show why they’re the ideal creators to update a violent cyborg supersoldier for new and returning generations of readers. Casey possesses a knack for seeing new facets in familiar concepts, which applies to both the super soldier and Youngblood formulas surrounding Dutch, while Fox ensures the blood-soaked action is compelling and filled with visceral details. In the three chapters collected again in Dutch #0, they take a look at the character’s past and establish new intrigues and conflicts for their present. And that’s a story set to continue in the pages of Dutch #1 in 2024. This issue offers an excellent opportunity to see what the buzz is about and prepare for another exciting revitalization for one of Image’s oldest characters. — Chase Magnett
G.I. Joe: A Real American Hero #301
(Photo: Andy Kubert, Brad Anderson, Image Comics)Written by Larry Hama
Art by Chris Mooneyham
Colors by Francesco Segala
Letts by Pat Brosseau
Published by Image Comics
Larry Hama’s run on G.I. Joe: A Real American Hero is astounding. Seeing a single writer helm an ongoing title for 300 issues over 40 years is remarkable. It being a licensed title, hopping from Marvel Comics to IDW Publishing and now to Skybound (with a stint at Devil’s Due Publishing under a different writer that helped keep interest strong despite being swept out of canon upon Hama’s return) makes it an even more impressive feat. That Hama keeps getting brought back to continue his G.I. Joe story is a testament to how strongly his voice is associated with these characters in their best form, with the perfect balance of military fiction and over-the-top Cannon Films style action to make that signature, irresistible tonal blend. Hama is teaming up with artist Chris Mooneyham to keep the story going. Mooneyham seems the perfect choice, especially with colorist Francesco Segala knowing how to light every moment for maximum impact. Whether from a longtime reader or a newcomer, Hama’s continued story deserves attention. — Jamie Lovett
Lotus Land #1
(Photo: Alex Eckman-Lawn, Boom Studios)Written by Darcy Van Poelgeest
Art by Caio Filipe
Colors by Patricio Delpeche
Letters by Nate Piekos
Published by Boom Studios
Boom Studios will launch a new sci-fi series this week in Lotus Land from writer Darcy Van Poelgeest and artist Caio Filipe. I’ll admit that I’m not overly familiar with their past works, but Lotus Land #1 offers a strong hook. The book is set in a dystopian future where the “Keeper Program” studies a means to stop entropy. That program is attacked, and it’s up to a retired detective to investigate. As a big fan of Blade Runner, I’m instinctively drawn to the promising blend of futuristic sci-fi, existential ideas, and mystery noir and, based on the preview pages that Boom has already released, hopeful that these creators can execute it well. — Jamie Lovett
The Ministry of Compliance #1
(Photo: Stefano Raffaele, IDW Publishing)Written by John Ridley
Art by Stefano Raffaele
Colors by Brad Anderson
Letters by Ariana Maher
Published by IDW Publishing
Oscar-winner John Ridley is the latest screenwriter to become a regular fixture of the comics market. He’s hardly a newcomer, having written stories like The American Way for WildStorm as far back as the early 2000s. However, his recent runs on titles like I Am Batman, The Other History of the DC Universe, and Black Panther have cemented his presence in readers’ minds. The Ministry of Compliance is Ridley’s first big swing original concept in comics since wrapping up his time writing stories for the “Big Two.” For this story, Ridley re-teams with Italian artist Stefano Raffaele, whom he worked with previously on DC’s GCPD: The Blue Wall, to tell a sci-fi conspiracy tale about an alien invasion of Earth that has already happened but may now be falling apart as it enters its final phase. The solicitation lays out an ambitious premise, and it should be compelling reading to see how Ridley and Raffaele follow through. — Jamie Lovett
Outsiders #1
(Photo: Roger Cruz, Adriano Lucas, DC)Written by Jackson Lanzing, Collin Kelly
Art by Robert Carey
Colors by Valentina Taddeo
Letters by Tom Napolitano
Published by DC
Every element of DC’s Outsiders revival is exciting to me — the writing of Collin Kelly and Jackson Lanzing, who have done great work on titles like Guardians of the Galaxy and Green Arrow; the team being founded around Batwoman and Luke Fox; and the prospect of adventuring through the DC Universe. I have a good feeling that this debut issue, which chronicles Kate and Luke’s early days of their journey, will stick the landing. — Jenna Anderson
Star Wars: Visions – Peach Momoko #1
Writing and art by Peach Momoko
Published by Marvel Comics
The Star Wars: Visions animated anthology series has established a whole new mode of Star Wars storytelling. Instead of having to tell stories that complement or exist in the shadow of the Skywalker Saga, Visions allows creators to reimagine the Star Wars universe in a way that suits the story they are trying to tell, highlighting whatever element of George Lucas’ creation most calls to them. That folklore-like spin on Star Wars has come to comics. Viz Media is spinning up a Star Wars: Visions manga anthology for 2024 (appropriate given the title’s root as an anime anthology), Marvel has already released a Star Wars: Visions one-shot continuing the story of “The Duel” from the show’s inaugural episode. The newest installment is dedicated to Peach Momoko, the sensational artist best known for their covers but who has also shown their storytelling capabilities in her Demon Wars stories reimagining Marvel’s characters. Momoko also had a standout story in Marvel’s Star Wars: Black, White, & Red anthology, bringing an intimate, dreamlike sensibility to the Star Wars universe that felt entirely fresh. In her Visions one-shot, Momoko tells the story of a Dark Side cult that has sprung up centuries after the death of a great Sith Lord. It’ll be exciting to see how Momoko weaves the mythology of the Force through her distinct art style. — Jamie Lovett
Plus, Blade: The Early Years, and more. Read More